Completely revised and reorganized, this guide to the traditions, beliefs, and practices of Judaism—for both Jew and non-Jew—tackles a wide range of subjects in a question-and-answer format. Ideal for conversion students, interfaith couples, and congregants seeking answers to essential day-to-day issues.

As lead singer and songwriter for the Red Hot Chili Peppers, Anthony Kiedis has lived life on the razor's edge. So much has been written about him, but until now, we've only had Kiedis's songs as clues to his experience from the inside. In Scar Tissue, Kiedis proves himself to be as compelling a memoirist as he is a lyricist, giving us a searingly honest account of the life from which his music has evolved.

The Red Hot Chili Peppers are that rare breed of rock band. Critically lauded and popularly embraced by millions of fans, their albums consistently sell into the stratosphere — their CD Californication sold over 13 million copies alone.

Now in Scar Tissue, Anthony Kiedis defies the rock star clichés. In his telling, we can see everything he has done has been part of a passionate journey. Kiedis is a man "in love with everything" — the darkness, the death, the disease. Even his descent into drug addition was a part of that journey, another element that he has transformed into art.

We all have our favorite pieces by our beloved writers. But what do they think is their own best work? Inspired by an acclaimed collection published in 1942, the editors at the Quality Paperback Book Club invited fiction writers, essayists, poets, playwrights, and cartoonists to choose and comment on their best work. The result is a veritable who's who of contemporary literature and popular culture, including selections by Anne Tyler, Arthur Miller, Gary Trudeau, David Sedaris, Rita Dove, Tom Robbins, Ruth Reichl, T. C. Boyle, Mary Karr, John Updike, and dozens more. Each selection is rewarding in itself; more still for the introductions in which the author explains his or her choice, shedding light on both the work and creative process. Appealing to readers of the annual best short story collections, writers, and fans of the stellar list of contributors, This Is My Best is a landmark literary anthology.

Nobody ever promised Laura (except maybe her high school Spanish teacher, and she never understood what he was saying anyway) that life was going to be easy. And sure enough, it wasn't. From her high school talent competition where she performs a stunning syncopated "funktastic" dance to "Car Wash," to her first job and subsequent dismissal at the local all-you-can-eat steakhouse, to the ultimate revenge fantasy of a stand-up comic who has been heckled one too many times, this is a sardonic look into the everyday workings of a performer and her not-so-stellar life. Wildly irreverent and darkly comic, these stories will make you laugh, cringe, and ultimately identify.

Jean Kilbourne first gained prominence in the 1970s as the maker of Killing Us Softly, a documentary that detailed how the images of women in advertising were destructive for women in real life. In the years since, her thesis hasn't changed much, but the evidence supporting it has accumulated at an overwhelming rate. One of the first points that Kilbourne makes clear in Deadly Persuasion is that advertising does influence people, which is why newspapers and magazines engage in cutthroat competition to convince corporations to place ads in their publications, on the principle that their readership consists of the most valuable demographic. What appear in those ads, though, are images that equate emotional well-being with material acquisition; encourage women—beginning in their teenage years—to work at preserving the one "right" look; and associate rebellion and independence with the consumption of alcohol and tobacco.

Kilbourne is militant on these issues, and some readers may find her positions a bit too extreme, as when she lambastes ads that employ surre alism for imitating a drugged state of altered consciousness or when she declares that most sexual imagery in advertising is "pornographic," elaborating in such a way as to denigrate the very idea of casual sex. And, despite several attempts at grim sarcasm, Deadly Persuasion is ultimately rather humorless. Kilbourne's heart, though, is definitely in the right place, and her demonstration of the extent to which we allow corporations to shape our desires is truly eye-opening. —Ron Hogan

Haven Kimmel's memoir She Got Up Off the Couch might have been called The Further Adventures of Zippy, since it picks up where her bestselling A Girl Named Zippy left off, and is reeled out in much the same vein. The person who got up off the couch is Zippy's mother, Delonda, who for years sat on the titular sofa, ate, read, and watched TV until she weighed 268 pounds and life was nearly unbearable. You would never know the bad parts from Haven Kimmel, who always concentrates on the bright side, even though she lived in a house without heat, food, indoor plumbing, a dependable water supply or even a modicum of cleanliness. Kimmel loves her parents inordinately, even at their most unlovable.

Delonda takes a College Entrance exam, passes it and enrolls at Ball State, where she completes a degree in two years, goes on for a Master's and gets a job as a high school teacher. That sounds fairly straightforward but it wasn't easy. Bob Jarvis, Delonda's husband and Zippy's father, gave her no help at all; in fact, he ridiculed her and ignored her progress. Eventually, he found someone else while Delonda was busy reclaiming her life. We could read this as a tale of the times, where a woman takes charge of herself, loses 120 pounds and, against all odds, gains an education and a livelihood. It is all of that, and more.

Life in Mooreland, Indiana, in the 1970s is not very exciting, but Zippy finds wonder everywhere and often laughed until she "tipped right over." There is an unquenchable spirit in the girl, and then in the woman, that keeps popping up despite a very sketchy upbringing. The neighbors fed and bathed her, she wore the same pair of pants to school every day for an entire school year—without benefit of laundry. Her brother and sister lit out at the first chance they had—though Melinda ends up only a few blocks away and becomes another safe port for Zippy. She is a victim of benign neglect, not malice or meanness.

Her tales of church camp, days with her friends, driving with her Dad, going to a play with her Mother, her love for her niece and nephew and her discovery that her Dad is having an affair are all told in typical Zippy-style: they are humorous, poignant, exuberant, and often breathless. Stay tuned: this book ends when Zippy is only thirteen. Hopefully there's more to come. —Valerie Ryan

In 1959, Nathan Price, a fierce, evangelical Baptist, takes his four young daughters, his wife, and his mission to the Belgian Congo — a place, he is sure, where he can save needy souls. But the seeds they plant bloom in tragic ways within this complex culture. Set against one of the most dramatic political events of the twentieth century — the Congo's fight for independence from Belgium and its devastating consequences — here is New York Times-bestselling author Barbara Kingslover's beautiful, heartbreaking, and unforgettable epic that chronicles the disintegration of family and a nation.

Author Barbara Kingsolver and her family abandoned the industrial-food pipeline to live a rural life—vowing that, for one year, they'd only buy food raised in their own neighborhood, grow it themselves, or learn to live without it. Part memoir, part journalistic investigation, Animal, Vegetable, Miracle is an enthralling narrative that will open your eyes in a hundred new ways to an old truth: You are what you eat.

'A brilliant memoir...it is about being Chinese in the way A Portrait of the Artist is about being Irish; it is an investigation of soul, not landscape, its sources are dream and memory, myth and desire; its crises are the crises of a heart in exile from roots that bind and terrorize it...Maxine Hong Kingston writes with bitter and relentless love. Her voice, now, is as clear as the voice of Ts'ai Yen, who sang her sad, angry songs of China to the barbarians. It is as fierce as a warrior's voice, and as eloquent as any artist's' Jane Kramer, New York Times Book Review 'This is a delightful book...tells more than i ever imagined about the strangeness of being Chinese and a woman; it also gives a superb account of what it's like simply to be alive' Victoria Radin, New Society 'A strange, enchanting book...As a manual of self- discovery through the channels and terrors of one's own rejected communal memory, it is unbeatable' Guardian 'As a dream - of the "female avenger" - it is dizzying, elemental a poem turned into a sword...reimagining the past with such dark beauty, such precision and anger that you feel you have saddled the Tao dragon and see all through the fiery eye of God' John Leonard, New York Times 'A book of fierce clarity and orginality' Newsweek

If you've ever paid off one credit card with another, thrown out a bill before opening it, or convinced yourself that buying at a two-for-one sale is like making money, then this silly, appealing novel is for you. In the opening pages of Confessions of a Shopaholic, recent college graduate Rebecca Bloomwood is offered a hefty line of credit by a London bank. Within a few months, Sophie Kinsella's heroine has exceeded the limits of this generous offer, and begins furtively to scan her credit-card bills at work, certain that she couldn't have spent the reported sums.

In theory anyway, the world of finance shouldn't be a mystery to Rebecca, since she writes for a magazine called Successful Saving. Struggling with her spendthrift impulses, she tries to heed the advice of an expert and appreciate life's cheaper pleasures: parks, museums, and so forth. Yet her first Saturday at the Victoria and Albert Museum strikes her as a waste. Why? There's not a price tag in sight. It kind of takes the fun out of it, doesn't it? You wander round, just looking at things, and it all gets a bit boring after a while. Whereas if they put price tags on, you'd be far more interested. In fact, I think all museums should put prices on their exhibits. You'd look at a silver chalice or a marble statue or the Mona Lisa or whatever, and admire it for its beauty and historical importance and everything—and then you'd reach for the price tag and gasp, "Hey, look how much this one is!" It would really liven things up. Eventually, Rebecca's uncontrollable shopping and her "imaginative" solutions to her debt attract the attention not only of her bank manager but of handsome Luke Brandon—a multimillionaire PR representative for a finance group frequently covered in Successful Saving. Unlike her opposite number in Bridget Jones's Diary, however, Rebecca actually seems too scattered and spacey to reel in such a successful man. Maybe it's her Denny and George scarf. In any case, Kinsella's debut makes excellent fantasy reading for the long stretches between white sales and appliance specials. —Regina Marler

So begins the love story of Joe Kiyonaga, the striking Japanese-American war hero from Hawaii, and Bina Cady, the irreverent Irish-Catholic redhead from Baltimore. Similar in their convictions, different in most every other respect, the two leaped into a marriage in 1947 that defied the anti-Japanese sentiments of the day. And their unlikely union would come to include a powerful, top-secret cohort: the CIA. For while Bina, Joe, and their children played the part of a normal family, all of their activities were geared toward Joe's clandestine mission as a spy for the CIA: to gather intelligence information and recruit new agents . Full of intrigue, passion, and danger, this extraordinary memoir has all the elements of the finest fiction — made more compelling because every word is true.

Mothers and daughters go through so much–yet when was the last time a mother and daughter sat down collectively to write a book together about it all? Perri Klass and her mother, Sheila Solomon Klass, both gifted professional writers, prove to be ideal collaborators as they examine their decades of motherhood, daughterhood, and the wonderful, if sometimes fraught, ways their lives have overlapped.

Perri notes with amazement how closely her own life has mirrored her mother’s: Both have full-time careers (Perri is a pediatrician; Sheila is recently retired from a long career as a college English professor but goes on teaching); both have published books, articles, and stories; each has three children; they both love to read, and to pass books back and forth. They also love to travel–in fact, they often take trips together (and live to tell the tale). But in truth, the harder they look at their lives, the more Perri and Sheila acknowledge their profound differences in circumstance and temperament.

A child of the Depression, Sheila was raised in Brooklyn by Orthodox Jewish parents who considered education an unnecessary luxury for girls. Starting with her college education, she has fought for everything she’s ever accomplished. Perri, on the other hand, grew up privileged and rebellious in the New Jersey suburbs of the 1960s and 1970s. For Sheila, fanatically frugal, wasting time or money is a crime, and luxury is unthinkable while Perri enjoys the occasional small luxury, but has not been successful at enticing her mother into even the tiniest self-indulgence.

Each writing in her own unmistakable voice, Perri and Sheila take turns exploring the joys and pains, the love and resentment, the petty irritations and abiding respect, that have always bound them together. Sheila recounts the adventure of giving birth to Perri in a tiny town in Trinidad where her husband was doing anthropological fieldwork. Perri confesses that she can’t tame her domestic chaos even though she knows it drives her mother crazy. Sheila rhapsodizes about the bliss of becoming a grandmother. Perri marvels at her mother’s fearless navigation of the New York City subways. Together they compare thoughts on bringing up children and working, confess long-hidden sorrows, relish precious memories–and even offer family recipes and knitting patterns.

Looking deep into the lives they have lived separately and together, Perri and Sheila tell their mother-daughter story with honesty, humor, zest, and mutual admiration. A memoir in two voices, Every Mother Is a Daughter is a duet that resonates with the experiences that all mothers and daughters will recognize.

Zoe is wary when, in the dead of night, the beautiful yet frightening Simon comes to her house. Simon seems to understand the pain of loneliness and death and Zoe's brooding thoughts of her dying mother.

Simon is one of the undead, a vampire, seeking revenge for the gruesome death of his mother three hundred years before. Does Simon dare ask Zoe to help free him from this lifeless chase and its insufferable loneliness?

Touch up old, cherished black-and-white photographs... or add little color and life to new photos. This guidebook presents a creative range of simple hand-coloring techniques. Fully illustrated, easy-to-follow instructions offer polished results on the very first try.

—Clear, step-by-step demonstrations —Methods for coloring vintage photographs and photographs of people, nature, buildings, gardens, and more —Techniques for staining, toning, and dyeing photos, plus tips and tricks for mixing colors and creating effects with markers, paints, and pastels