Rare and charming spots from authentic periodicals of the 1910s and ’20s include a wealth of royalty-free vignettes of a child’s world: children reading, playing games, in school, doing chores, playing the piano, at meals, and in hundreds of other settings and situations.

Inside little blue envelope 1 are $1,000 and instructions to buy a plane ticket.

In envelope 2 are directions to a specific London flat.

The note in envelope 3 tells Ginny: Find a starving artist.

Because of envelope 4, Ginny and a playwright/thief/ bloke–about–town called Keith go to Scotland together, with somewhat disastrous–though utterly romantic–results. But will she ever see him again?

Everything about Ginny will change this summer, and it's all because of the 13 little blue envelopes.

Ages 12+

In this multiple parallel universes of the Twelve Related Worlds, only an enchanter with nine lives is powerful enough to control the rampant misuse of magic—and to hold the title Chrestomanci...

The Chants are a family strong in magic, but neither Christopher Chant nor Cat Chant can work even the simplest of spells. Who could have dreamed that both Christopher and Cat were born with nine lives—or that they could lose them so quickly?

In this multiple parallel universes of the Twelve Related Worlds, only an enchanter with nine lives is powerful enough to control the rampant misuse of magic — and to hold the title Chrestomanci...

There is a world in which the peaceful city-state of Caprona is threatened by the malevolent machinations of a mysterious enchanter...and another in which magic is outlawed and witches are still burned at the stake.

In two worlds the practice of magic has gone dangerously awry, there is only one solution — call upon the Chrestomanci.

Winner of the National Jewish Book Award Photographs, index.

"Every item intended for reading should be copyedited," says Karen Judd: books and periodicals, of course, but also appliance instructions and menus. Strange, then, that Judd's Copyediting is one of the few resources on the subject, but no matter. It's a terrific guidebook. Judd takes on all aspects of copyediting with startling authority, from copyediting symbols to advice on getting work. Intervening chapters cover punctuation and grammar, spelling, style and word usage, numbers and abbreviations, specialized copyediting, proofreading, and more. "Copyeditors ... know that Massachusetts is a commonwealth, not a state," says Judd. "They would know exactly how to address the pope if they met him. They don't mind going back over 1,000 manuscript pages because they have just decided to spell out numbers up to 100 after all." While they need not be good spellers or trivia buffs, they need to know when to look up a word or fact. And, though copyeditors tend to be stringent about the uses and abuses of language, "Copyediting means doing what the publisher wants, whether you agree with it or not." —Jane Steinberg

"It seems to me that almost everything is a waste of time," Milo laments. "[T]here's nothing for me to do, nowhere I'd care to go, and hardly anything worth seeing." This bored, bored young protagonist who can't see the point to anything is knocked out of his glum humdrum by the sudden and curious appearance of a tollbooth in his bedroom. Since Milo has absolutely nothing better to do, he dusts off his toy car, pays the toll, and drives through. What ensues is a journey of mythic proportions, during which Milo encounters countless odd characters who are anything but dull.

Norton Juster received (and continues to receive) enormous praise for this original, witty, and oftentimes hilarious novel, first published in 1961. In an introductory "Appreciation" written by Maurice Sendak for the 35th anniversary edition, he states, "The Phantom Tollbooth leaps, soars, and abounds in right notes all over the place, as any proper masterpiece must." Indeed.

As Milo heads toward Dictionopolis he meets with the Whether Man ("for after all it's more important to know whether there will be weather than what the weather will be"), passes through The Doldrums (populated by Lethargarians), and picks up a watchdog named Tock (who has a giant alarm clock for a body). The brilliant satire and double entendre intensifies in the Word Market, where after a brief scuffle with Officer Short Shrift, Milo and Tock set off toward the Mountains of Ignorance to rescue the twin Princesses, Rhyme and Reason. Anyone with an appreciation for language, irony, or Alice in Wonderland-style adventure will adore this book for years on end. (Ages 8 and up)

A guide to entertaining and raising children in Japan, written by long-term residents. Ideas for rainy days, shopping, amusments, parties and celebrations, local travel, health care and education are included.

The lead singer of the acclaimed, platinum-selling group Franz Ferdinand takes readers on a rock-and-roll culinary adventure around the world

The extremely successful band Franz Ferdinand has millions of fans around the globe, and the group's frequent tours bring its members not only to a wide variety of places but also face to face with a wide range of food. Here, lead singer Alex Kapranos collects his humorous and insightful reflections-compiled partly from his column in the Guardian (London)-on his many international gastronomic encounters, both savory and not so savory. From the charms of a donut shop in a Polish-speaking part of Brooklyn to a decidedly less charming pair of bull's testicles in Buenos Aires to the seductive, almost-vegetarian allure of a heavenly Singaporean buffet, Kapranos always gets the mouthwatering details just right while delivering an entertaining look at rock-and-roll life on the road.

"In BUST we've captured the voice of a brave new girl: one that is raw and real, straightforward and sarcastic, smart and silly, and liberally sprinkled with references to our own Girl Culture." So say Marcelle Karp and Debbie Stoller, smart, sassy founders of BUST ("the magazine for women with something to get off their chests"), and editors of this funky, fabulous, neofeminist manifesto. The Guide to the New Girl Order collects the best of BUST, including thoughtful articles, personal essays, and racy rants about anything from abortion to the lameness of the Lifetime television network. In their own words, they address "that shared set of female experiences that includes Barbies and blowjobs, sexism and shoplifting, Vogue and vaginas."

Having started out as a hand-stapled zine, BUST swims with an in-your-face, grrrl power attitude that alternately taunts, encourages, and calls readers to battle. Contributors range from mysterious authors with names like Betty Boob and Scarlett Fever to such famous femmes as Courtney Love. Karp and Stoller organize the pieces into sections labeled "Sex and the Thinking Girl, "Men Are from Uranus," etc., offering introductions for each that provide humor, insight, and cultural context. And with selections like "Sex, Lies, and Tampax," "How to Be as Horny as a Guy," and "Bitch on Heels," this is not your mother's ladies' journal. Also included are such hilarious explorations of pop culture as "The Mysterious Eroticism of Mini-Backpacks," "My Keanu, A Fantasy," and "Bring Me the Head of Melanie Banderas." Whether you're intimidated or intrigued by such an irreverent approach to redefining the feminine, there's only more to come—and there's no place to hide. As the editors warn, "Wake up and smell the lipgloss, ladies: the New Girl Order has arrived." —Brangien Davis

As a girl idling her way through long, toxically boring summer afternoons in Leechfield, Texas, Mary Karr dreamed up an unusual career for herself, "to write one-half poetry and one-half autobiography." She has since done both, and even when she's recounting a dirty joke, she can't help but employ a poet's precise and musical vision. Her first memoir, The Liar's Club, was as searing a chronicle of family life as can be imagined—tough, funny, and crackling with sorrow and wit. Against all odds, its sequel doesn't disappoint. Cherry finds the teenage Mary still marooned in a family whose behavior ranges from charmingly eccentric to dangerously crazy. (This, for instance, is the Karr version of a note from home: "Lecia Karr's leprosy kicked in, and I had to wrap her limbs in balm and hyssop. Please excuse her.") But here the focus has shifted to Mary herself, furiously engaged in pissing off authority at every turn: flouting the dress code, dropping acid, running from the cops, falling in love.

First love, you may say, heart sinking in chest: what more can possibly be said about such a subject? Actually, a great deal. To read Cherry is to realize how rare it is to find a teenage girl portrayed on her own terms. As a chronicle of female adolescence with all its longings, fantasies, cruelties, and fears, Karr's memoir goes darker and deeper than any book in which the protagonist doesn't end up dead. She turns a savage eye on her own hypocrisies and failings, and we like her all the more for them. We even end up fond of Leechfield, easily the toughest, smelliest, nastiest little burg ever to appear between the covers of a book——"a town too ugly not to love," her father called it in The Liar's Club. Growing up in such a place is necessarily about getting the hell out, but it's also about inventing a new identity with which to make your escape. That's the blessing Karr's wise friend Meredith bestows after a particularly harrowing (and harrowingly funny) acid trip: "I see big adventures for Mary. Big adventures, long roads, great oceans: same self." Cherry is the story of how Karr begins to acquire that self, however fumblingly—a big adventure for Mary, as it is for all of us, and one we never finish as long as we live. Perhaps that's the book's greatest pleasure of all: it hints there's more to come. —Mary Park

In this funny, razor-edged memoir, Mary Karr, a prize-winning poet and critic, looks back at her upbringing in a swampy East Texas refinery town with a volatile, defiantly loving family. She recalls her painter mother, seven times married, whose outlaw spirit could tip into psychosis; a fist-swinging father who spun tales with his cronies—dubbed the Liars' Club; and a neighborhood rape when she was eight. An inheritance was squandered, endless bottles emptied, and guns leveled at the deserving and undeserving. With a raw authenticity stripped of self-pity and a poet's eye for the lyrical detail, Karr shows us a "terrific family of liars and drunks ... redeemed by a slow unearthing of truth."