Silly, silly Shel Silverstein. For more than 25 years, he has taken children exactly where they want to go with poetry: into the world of nonsense and wordplay. Take "Instructions," for example:If you should ever choose
To bathe an armadillo,
Use one bar of soap
And a whole lot of hope
And seventy-two pads of Brillo.
Is there a moral? A higher meaning? A lesson? Most certainly not—except perhaps in bathing armadillos. The late poet's collection of verse and pen-and-ink drawings, Where the Sidewalk Ends, is the bestselling children's poetry book of all time. Now, to celebrate the 25th anniversary of this literary marvel, a special new edition is available, complete with a CD featuring 10 of his nuttiest poems. The compilation, "recited, sung, and shouted" by Silverstein himself, features highlights from his Grammy Award-winning album, including "Ickle Me, Pickle Me, Tickle Me Too," "With His Mouth Full of Food," "Crocodile's Toothache," and "Sarah Cynthia Sylvia Stout Would Not Take the Garbage Out." No child—or grownup, for that matter—should be without this collection, or its companion, A Light in the Attic. (Ages 5 and older) —Emilie Coulter

There is little sugar but lots of spice in journalist Rachel Simmons's brave and brilliant book that skewers the stereotype of girls as the kinder, gentler gender. Odd Girl Out begins with the premise that girls are socialized to be sweet with a double bind: they must value friendships; but they must not express the anger that might destroy them. Lacking cultural permission to acknowledge conflict, girls develop what Simmons calls "a hidden culture of silent and indirect aggression."

The author, who visited 30 schools and talked to 300 girls, catalogues chilling and heartbreaking acts of aggression, including the silent treatment, note-passing, glaring, gossiping, ganging up, fashion police, and being nice in private/mean in public. She decodes the vocabulary of these sneak attacks, explaining, for example, three ways to parse the meaning of "I'm fat."

Simmons is a gifted writer who is skilled at describing destructive patterns and prescribing clear-cut strategies for parents, teachers, and girls to resist them. "The heart of resistance is truth telling," advises Simmons. She guides readers to nurture emotional honesty in girls and to discover a language for public discussions of bullying. She offers innovative ideas for changing the dynamics of the classroom, sample dialogues for talking to daughters, and exercises for girls and their friends to explore and resolve messy feelings and conflicts head-on.

One intriguing chapter contrasts truth telling in white middle class, African-American, Latino, and working-class communities. Odd Girl Out is that rare book with the power to touch individual lives and transform the culture that constrains girls—and boys—from speaking the truth. —Barbara Mackoff

Margaret Atwood tells of a girl swallowed up by the woods and lost forever. Mark Oppenheimer experiences leftist utopia in a nature camp. David Sedaris avoids having a bowel movement for a month. ZZ Packer teaches a lesson in black and white to the girls of Brownie Troop 909.

These are among the stories and essays in this anthology featuring eighteen diverse writers remembering with nostalgia—as well as dread—the childhood days of summer camp. Ah, camp, where a bullied young girl with limp hair and three names will do anything to meet the demands of being popular; where Woody Guthrie is no longer a folk icon, but rather a cabin for young nudists; and where, in that Kumbaya solitude, homesickness, independence, and the need for healthy revenge all stick like s'mores to the heart and soul.

Featuring stories, essays, and cartoons by:

James Atlas
Margaret Atwood
Kevin Canty
Terry Galloway
Lev Grossman
Cynthia Kaplan
Josh Lambert
Andrea Lee
Ursula K. LeGuin
Thisbe Nissen
Mark Oppenheimer
ZZ Packer
Steven Rinehart
David Sedaris

"Strangers always love my mother," Ann August tells us at the start of Anywhere But Here. "And even if you hate her, can't stand her, even if she's ruining your life, there's something about her, some romance, some power. She's absolutely herself. No matter how hard you try, you'll never get to her. And when she dies, the world will be flat, too simple, reasonable, fair." Indeed, over the course of the dozen or so years chronicled in Mona Simpson's first novel, Ann and everyone else related to the charming, delusional Adele learn this the hard way. Ann does hate her at times; Adele does indeed come pretty close to ruining Ann's life on numerous occasions, or at least scarring it, and yet, ultimately, it isn't possible not to love her. As Ann puts it: "The thing about my mother and me is that when we get along we're just the same."

This is a woman who uproots her child from Wisconsin and moves to Los Angeles, leaving behind a dull husband (not Ann's father—who wandered off long ago but makes appearances here in memories), under the premise that life will be beautiful and Ann will become a famous television star. But her lifelong dream and goal ("It was our secret, a nighttime whispered promise" turns out, like so many things in the Augusts' lives, to be lackluster when it becomes reality. Adele merely feeds on fantasy and drags her daughter along.

Nevertheless, it's hard not to worship her. We hear from her mother, her sister, from Ann, and finally from Adele herself, and no matter how she's used people, what trouble she's gotten into, or what lies she's told—and there are plenty of all three—a certain amount of awe always remains. When we come upon Ann's proclamation that "it's always the people like my mother, who start the noise and bang things, who make you feel the worst; they are the ones who get your love." It's startling to realize how heartily we agree with her. Anywhere But Here gives truth to this statement in a way that few books ever have. It's dense with misery and amazement all tangled together—a realistic and thus rare portrait of love. —Melanie Rehak

From two masters who need no introduction comes a handsome reprint of the classic Newbery Honor book Zlateh the Goat and Other Stories. With wit and whimsy, Maurice Sendak illustrates seven tales about the legendary village of fools, Chelm, written by Isaac Bashevis Singer. Silly, outrageous, and sometimes poignant, the stories (translated from the Yiddish) reflect the traditions, heroes, and villains of middle European folklore. The devil makes an appearance more than once, as do the ever-so-foolish yet highly revered Elders of Chelm. In "The Mixed-Up Feet and the Silly Bridegroom," four sisters wake one morning to discover that their feet have become mixed up in the bed they share. A wise Elder advises their mother to whack the bed with a big stick, thus causing each girl to grab her own feet in pain and surprise. When their feet are sorted out, he then recommends, the sisters should be married off as soon as possible, to reduce the possibility of similar mix-ups in the future. Of course, none of them count on the breathtaking stupidity of the first bridegroom. Another not-so-clever fellow stars in "The First Shlemiel." When this man's wife asks him to do three things for her, he promptly and accidentally proceeds to breach each one of his promises, resulting in a baby with a bump on his head, an escaped rooster, and an emptied pot of jam. Somehow, though, possibly because ignorance is bliss, fools always come out on top in these wonderful stories, making for terrific read-aloud, laugh-aloud fun for the entire family. (All ages) —Emilie Coulter

Beginning with French Style. Suzanne Slesin and her coauthors created an acclaimed series of high-quality color books that focused on international areas of cultural and domestic interest. The Little Style Books revisit this classic material in a new and reinvigorated format.

Snappy anti appealing. The Little Style Books contain pictures anti text from the original edition selected and reorganized to highlight what is quintessential about the style of the country. The chapter on Living, for example, is filled with ideas for arranging rooms, placing furniture, lighting corners: the Cooking chapter shows not only how other people live, but how our kitchens might be adapted.

A treasure trove of ideas, this is indeed the essence of style.

On any given afternoon or evening, hundreds of book groups are meeting in living rooms, libraries, coffee houses, and kitchens to share their love-or hate-of a book. Interests and reading lists vary tremendously, but in each successful group, members are linked by a passion for books and a fierce loyalty to each other. The Book Group Book contains essays from special-interest groups, groups with professional leaders or sponsors, new groups, and groups that have been meeting for decades. Book lovers will learn how groups are organized and find inspiration and insight from the strengths, weaknesses, and special qualities that make book groups a treasured part of their members' lives.

In Brooklyn, New York, in 1927, Carl Brown and Annie McGairy meet and fall in love.Though only eighteen, Annie travels alone to the Midwestern university where Carl is studying law to marry him. Little did they know how difficult their first year of marriage would be, in a faraway place with little money and few friends. But Carl and Annie come to realize that the struggles and uncertainty of poverty and hardship can be overcome by the strength of a loving, loyal relationship. An unsentimental yet uplifting story, Joy in the Morning is a timeless and radiant novel of marriage and young love.

In THE GREAT COW RACE, volume 2 of this 9-book epic, Fone Bone and his cousins plan to return home after visiting the village of Barrelhaven with Thorn and Gran'ma Ben. But Phoney risks everything on one last get-rich-quick scheme for the town's annual Great Cow Race. As usual, Phoney's plans go disastrously awry, and Boneville seems further away than ever. Meanwhile, ominous signs indicate that a war is brewing, and Fone finds himself helping his friends defend their valley from a formidable enemy.

New York Times Bestselling Author

This juicy extravaganza of a book is at once a star-studded memoir, a mouthwatering reminiscence about great food and great meals, and a very special kind of cookbook. Here, great dish and great dishes are artfully blended with anecdotes and spiced with Liz's inimitable sense of humor, instinct for a great story, and joie de vivre to produce a life-loving, sometimes bawdy, and always utterly captivating read.

Make no mistake. The Bad Beginning begins badly for the three Baudelaire children, and then gets worse. Their misfortunes begin one gray day on Briny Beach when Mr. Poe tells them that their parents perished in a fire that destroyed their whole house. "It is useless for me to describe to you how terrible Violet, Klaus, and even Sunny felt in the time that followed," laments the personable (occasionally pedantic) narrator, who tells the story as if his readers are gathered around an armchair on pillows. But of course what follows is dreadful. The children thought it was bad when the well-meaning Poes bought them grotesque-colored clothing that itched. But when they are ushered to the dilapidated doorstep of the miserable, thin, unshaven, shiny-eyed, money-grubbing Count Olaf, they know that they—and their family fortune—are in real trouble. Still, they could never have anticipated how much trouble. While it's true that the events that unfold in Lemony Snicket's novels are bleak, and things never turn out as you'd hope, these delightful, funny, linguistically playful books are reminiscent of Roald Dahl (remember James and the Giant Peach and his horrid spinster aunts), Charles Dickens (the orphaned Pip in Great Expectations without the mysterious benefactor), and Edward Gorey (The Gashlycrumb Tinies). There is no question that young readers will want to read the continuing unlucky adventures of the Baudelaire children in The Reptile Room and The Wide Window. (Ages 9 and older) —Karin Snelson

The Reptile Room begins where Lemony Snicket's The Bad Beginning ends... on the road with the three orphaned Baudelaire children as they are whisked away from the evil Count Olaf to face "an unknown fate with some unknown relative." But who is this Dr. Montgomery, their late father's cousin's wife's brother? "Would Dr. Montgomery be a kind person? they wondered. Would he at least be better than Count Olaf? Could he possibly be worse?" He certainly is not worse, and in fact when the Baudelaire children discover that he makes coconut cream cakes, circles the globe looking for snakes to study, and even plans to take them with him on his scientific expedition to Peru, the kids can't believe their luck. And, if you have read the first book in this Series of Unfortunate Events, you won't believe their luck either. Despite the misadventures that befall these interesting, intelligent, resourceful orphans, you can trust that the engaging narrator will make their story—suspenseful and alarming as it is—a true delight. The Wide Window is next, and more are on their way. (Ages 9 and older) —Karin Snelson