The tiara has played a glittering role in the lives of the elegant and extravagant—from the doe-eyed Audrey Hepburn in the film classic Roman Holiday to generations of England's royal family—representing the height of sophisticated glamour. Worn for centuries by nobility and high society, tiaras are enjoying renewed popularity among today's movie stars and modern brides. Created in conjunction with an exhibition of tiaras at the Museum of Fine Arts, Boston, this magnificent volume showcases more than 75 of the world's most exquisite tiaras adorned with everything from delicate feathers to ornately decorated, gold fleur-di-lis scrollwork set in diamonds, pearls, and sapphires. An essay by Diana Scarisbrick, curator of the exhibition, traces the tiara's history, and dozens of photographs show tiaras worn by Russian princesses, British royalty, American socialites, and many others. Taking a lighter, popular culture approach to a traditionally high fashion subject, Tiara will delight aficionados as well as those less familiar with the tiara's artistry, who will be astonished by the array of styles, shapes, and showstoppers from around the world.

On any given day, one out of four Americans opts for a quick and cheap meal at a fast-food restaurant, without giving either its speed or its thriftiness a second thought. Fast food is so ubiquitous that it now seems as American, and harmless, as apple pie. But the industry's drive for consolidation, homogenization, and speed has radically transformed America's diet, landscape, economy, and workforce, often in insidiously destructive ways. Eric Schlosser, an award-winning journalist, opens his ambitious and ultimately devastating exposé with an introduction to the iconoclasts and high school dropouts, such as Harlan Sanders and the McDonald brothers, who first applied the principles of a factory assembly line to a commercial kitchen. Quickly, however, he moves behind the counter with the overworked and underpaid teenage workers, onto the factory farms where the potatoes and beef are grown, and into the slaughterhouses run by giant meatpacking corporations. Schlosser wants you to know why those French fries taste so good (with a visit to the world's largest flavor company) and "what really lurks between those sesame-seed buns." Eater beware: forget your concerns about cholesterol, there is—literally—feces in your meat.

Schlosser's investigation reaches its frightening peak in the meatpacking plants as he reveals the almost complete lack of federal oversight of a seemingly lawless industry. His searing portrayal of the industry is disturbingly similar to Upton Sinclair's The Jungle, written in 1906: nightmare working conditions, union busting, and unsanitary practices that introduce E. coli and other pathogens into restaurants, public schools, and homes. Almost as disturbing is his description of how the industry "both feeds and feeds off the young," insinuating itself into all aspects of children's lives, even the pages of their school books, while leaving them prone to obesity and disease. Fortunately, Schlosser offers some eminently practical remedies. "Eating in the United States should no longer be a form of high-risk behavior," he writes. Where to begin? Ask yourself, is the true cost of having it "your way" really worth it? —Lesley Reed

As much as 10% of the American economy, and perhaps more, is comprised of illegal "underground" enterprises, according to author and Atlantic Monthly correspondent Eric Schlosser. And while this segment is never discussed in the newspaper business pages, Schlosser tackles it with the same in-depth analysis and compulsive readability that made his Fast Food Nation a best seller. Reefer Madness spotlights marijuana, migrant labor, and pornography, three of the most thriving black market industries, and analyzes the often-tenuous place each holds in society as a whole. While each of the three could be the subject of its own book, Schlosser keeps his scope narrow by concentrating on the lives of the participants in the underground economy, especially Mark Young, an Indiana man given a life sentence for participating in a marijuana sale, and Ohio porn magnate Reuben Sturman. At just 21 pages, the treatment of migrant laborers in the California strawberry fields is dealt with more briefly but is just as compelling thanks to the first-person narrative of Schlosser’s investigation. In telling these stories, which are both personal and universal, Schlosser deftly explores the manner in which his subjects are treated (and punished) compared to others in more above-ground ventures. Along the way, he asks hard questions as to what that treatment says about America. Schlosser writing is passionately opinionated, but this is no mere opinion piece: his perspective is amply supported by extensive research and clearly reasoned interpretation of data. His direct and forceful writing style makes the impact greater still. After reading Reefer Madness, readers are likely to be shocked, appalled, and flat-out bewildered by what’s happening in the cracks and crevices of American business. —John Moe

A HILARIOUS NOVEL ABOUT FALLING FOR THE WRONG GOY Rachel Lowenstein can't help it. She's got a massive crush on a goy: Luke Christensen, the gorgeous star of the basketball team at St. Joseph's prep.

But as the name implies, he's not exactly in Rachel's tribe. Rachel just knows her parents would never approve.

Then Rachel's Jewish grandmother issues a stern edict——"Don—"Don't go with the goyim!"— sealing Rachel's fate and presenting her with a serious dilemma.

Everyone's got an opinion—from her annoying neighbor Howard to her newly social-climbing best friend. Should Rachel follow her heart and turn her back on her faith? Or should she heed her family's advice and try and find a nice Jewish boy?

With an unforgettable cast of characters and razor-sharp wit, Melissa Schorr's debut novel is an engaging comedy about a girl's decision to go goy crazy.

Impossible to read at one sitting, but utterly unputdownable, Schott's Original Miscellany is a unique collection of fabulous trivia.

What other book boasts an index that includes shoelace lengths, sign language, and the seven deadly sins; dueling and dwarves; the hair color of Miss America and the Hampton Court maze?

Where else can you find, packed onto one page, the names of golf strokes, a history of the Hat Tax, cricketing dismissals, nouns of assemblage, an unofficial motto of the US Postal Service, and the flag of Guadeloupe?

Where else but Schott's Original Miscellany will you stumble across John Lennon's cat, the supplier of bagpipes to the Queen, the labors of Hercules, and the brutal methods of murder encountered by Miss Marple?

A book like no other, Schott's Original Miscellany is entertaining, informative, unpredictable, and utterly addictive.

Believe it or not, 44 complete read-aloud classics and future classics—from Goodnight Moon to Stellaluna—are packed in this remarkably svelte, positively historic anthology. Flipping through the 308 pages of The 20th-Century Children's Book Treasury is like browsing a photo album of beloved friends and family. The familiar faces of Curious George and Ferdinand the Bull peer earnestly from the pages, and scenes from Madeline and Millions of Cats resonate as if you just experienced them yesterday. Think of the advantages of carrying this book on a vacation instead of a suitcase of single titles! (Your kids can always revisit their dog-eared hardcovers when they get home.)

This impressive collection of concept books, wordless books, picture books, and read-aloud stories was artfully compiled by longtime children's book editor and publisher Janet Schulman. Stories are coded red, blue, and green to designate age groupings from baby/toddler books such as Whose Mouse Are You?, through preschool books such as Where the Wild Things Are, to longer stories for ages 5 and older such as Alexander and the Terrible, Horrible, No Good, Very Bad Day. The reason the book isn't bigger than Babar is because many of the illustrations from each story were reduced or removed to fit the anthology's format. (Leo Lionni's Swimmy, for example, takes up 5 pages total, compared to its original 29 pages.) Brief biographical notes that are surprisingly quirky shine a little light on the 62 authors and illustrators, and an index helps, too, for the child who likes one story best. We love the idea of being within easy reach of a Star-Belly Sneetch, a William Steig donkey, and a Sendak monster at all times, and we're sure your little bookworms will, too. (Click to see a sample spread from The 20th-Century Children's Book Treasury, compilation copyright © 1998 by Janet Schulman, illustrations © renewed 1997 by William Steig.) (All ages) —Karin Snelson

All those who enjoyed shuddering their way through Alvin Schwartz's first volume of Scary Stories To Tell In The Dark will find a satisfyingly spooky sequel in this new collection of the macabre, the funny, and the fantastic.

Is it possible to die — and not know it? What if a person is buried too soon? What happens to a thief foolish enough to rob a corpse, or to a murderer whose victim returns from the grave? Read about these terrifying predicaments as well as what happens when practical jokes produce gruesome consequences and initiations go awry.

Stephen Gammell's splendidly creepy drawings perfectly capture the mood of more than two dozen scary stories — and even a scary song — all just right for reading alone or for telling aloud in the dark.

If You Dare!

Storytellers know — just as they have for hundreds and hundreds of years — that everyone enjoys a good, scary story!

Alvin Schwartz's Scary Stories 3 joins his other popular collections of scary folklore, Scary Stories To Tell In The Dark and More Scary Stories To Tell In The Dark, to give readers spooky, funny and fantastic tales guaranteed to raise goose bumps.

Who is the Wolf girl? Why is a hearse filled with men with yellow glowing eyes? Can a nightmare become reality? How do you avoid an appointment with Death?

Stephen Gammell's splendidly creepy drawings perfectly capture the mood of more than two dozens scary stories — and even a scary song — all just right for reading along or for telling aloud in the dark..

This spooky addition to Alvin Schwartz's popular books on American folklore is filled with tales of eerie horror and dark revenge that will make you jump with fright.

There is a story here for everyone — skeletons with torn and tangled flesh who roam the earth; a ghost who takes revenge on her murderer; and a haunted house where every night a bloody head falls down the chimney.

Stephen Gammell's splendidly creepy drawings perfectly capture the mood of more than two dozen scary stories — and even scary songs — all just right for reading alone or for telling aloud in the dark.

If You Dare!

This spooky addition to Alvin Schwartz's popular books on American folklore is filled with tales of eerie horror and dark revenge that will make you jump with fright.

There is a story here for everyone — skeletons with torn and tangled flesh who roam the earth; a ghost who takes revenge on her murderer; and a haunted house where every night a bloody head falls down the chimney.

Stephen Gammell's splendidly creepy drawings perfectly capture the mood of more than two dozen scary stories — and even scary songs — all just right for reading alone or for telling aloud in the dark.

If You Dare!

If geese had graves, Mother Goose would be rolling in hers. The Stinky Cheese Man and Other Fairly Stupid Tales retells—and wreaks havoc on—the allegories we all thought we knew by heart. In these irreverent variations on well-known themes, the ugly duckling grows up to be an ugly duck, and the princess who kisses the frog wins only a mouthful of amphibian slime. The Stinky Cheese Man deconstructs not only the tradition of the fairy tale but also the entire notion of a book. Our naughty narrator, Jack, makes a mockery of the title page, the table of contents, and even the endpaper by shuffling, scoffing, and generally paying no mind to structure. Characters slide in and out of tales; Cinderella rebuffs Rumpelstiltskin, and the Giant at the top of the beanstalk snacks on the Little Red Hen. There are no lessons to be learned or morals to take to heart—just good, sarcastic fun that smart-alecks of all ages will love.

This book, written especially for the often-neglected male half of the parenting team, is a father's guide to making wise investments in his children and family.

In BECOMING A FATHER, author Dr. William Sears shares his own story of maturing into fatherhood, discovering the joys of being an involved dad, and weathering the changes that children bring to a marriage.

This book discusses the father's role during childbirth, different ways a father can interact and bond with his child, discipline, balancing the demads of a job with the needs of a family, and more!

New information in this revised edition includes additional information for families where both parents work along with updated information on support during childbirth, co-sleeping, and breastfeeding.

Dr. Sears understands the concerns and conflicts of both fathers and mothers. Reading this book will help both partners understand each other better as they share the important work of raising children.

In their excellent (and hefty) resource guide, The Baby Book, attachment parenting specialists William Sears and Martha Sears have provided new parents with their approach to every aspect of baby care basics, from newborns to toddlers. Attachment parenting is a gentle, reasonable approach to parenting that stresses bonding with your baby, responding to her cues, breastfeeding, "wearing" your baby, and sharing sleep with your child. For those parents who worry about negative effects of this attention, the Sears say, "Spoiling is what happens when you leave something (or some person) alone on the shelf—it spoils."