Mirth of a Nation is a collection of short humor pieces compiled by the Thurber House, which is a very dry way of describing a very funny book. Mirth is, at long last, a truly perfect humor-browser's read, for everything—everything—is presented with a wry wink. The book opens with Dave Eggers's guidelines for submitting work to the Thurber House ("Before undertaking the typing, straightening, and mailing of your submission, please do us the small favor of washing your hands. Please.") and closes with Al Franken's refreshingly mean-spirited index ("Luntz, Frank, likelihood of his immediately turning to index and looking up his name, 48"). In between is a hilarious collection of both new and previously published pieces. Targets range from contemporary issues (Chris Harris, tackling the UFO phenomenon in "What We Talk About When We Talk About Little Green Men": "If their object is stealth, why must they employ colored, blinking lights on the outside of their spacecraft? Is it alien Christmastime?") to the biblical, as in Ian Frazier's marvelous "Laws Concerning Food and Drink; Principles; Lamentations of the Father" ("Heed me; for if you sit like that, your hair will go into the syrup. And now behold, even as I have said, it has come to pass.") The book is so funny, in fact, that it would be a pity to give away any more punch lines. Grab a copy and see for yourself. —Ali Davis

The "children of paradise" in this book are the residents of Earth, and almost all the poems are on the theme of love. Their subjects range from the famous, such as Van Gogh and Mozart, to the people and places of our daily lives. They include several poems on being the mother of a small child.

Sensation is the first definitive survey of work by the younger generation of British artists that has captivated the international art world with its vitality and inventiveness. As a constant and prodigious collector and patron of young British artists, Charles Saatchi has been unique in his commitment to British art as it is now being produced. His support extends far beyond those such as Damien Hirst and Rachel Whiteread, whose work has acquired wide notoriety, to dozens of others at the cutting edge of the current art scene. Sensation features the work of forty-two of the most exciting and radical artists working in Britain today. Many of them—such as Jenny Saville, Rachel Whiteread, or Jake & Dinos Chapman—are already internationally acclaimed; others are destined to be. The book's original and penetrating essays include the critical context of their work and trace the phenomenon of the British art scene since "Freeze," the 1988 exhibition that is now recognized as a defining moment in the story of British art. Cutting through tabloid headlines, controversial press coverage, and art-world debate, Sensation reveals the achievements of young British artists and the role played by courageous and imaginative patronage.

Features art by:
Darren Almond Richard Billingham Glenn Brown Simon Callery Jake & Dinos Chapman Adam Chodzko Mat Collishaw Keith Coventry Peter Davies Tracey Emin Paul Finnegan Mark Francis Alex Hartley Marcus Harvey Mona Hatoum Damien Hirst Gary Hume Michael Landy Abigail Lane Langlands & Bell Sarah Lucas Martin Maloney Jason Martin Alain Miller Ron Mueck Chris Ofili Jonathan Parsons Richard Patterson Simon Patterson Hadrian Pigott Marc Quinn Fiona Rae James Rielly Jenny Saville Yinka Shonibare Jane Simpson Sam Taylor-Wood Gavin Turk Mark Wallinger Gillian Wearing Rachel Whiteread Cerith Wyn Evans

This is the deal with Chloe Leiberman (sometimes Wong):

· She lives, breathes, sleeps, eats and drinks fashion.

· She's half Jewish (father) and half Chinese (mother).

· She has one bow-tie(like Tucker Carlson)-wearing brother.

· She’s stuck in the OC.

· She always knows the right thing to wear. And what you should be wearing, too.

· She is a senior in high school.

· She didn't apply to college, even though her parents think she did.

· She has two best friends–Spring, 100% WASP, and Sue, 100% NOT.

· She's talented but doesn't know it yet.

· She dreams about going to design school in London.

This is her application.

From the Hardcover edition.

Leo Rosten left a great legacy of Jewish culture with his classic informal lexicon of Yiddish. Rosten defines (by synonym, anecdote, and joke) the words that have made it into common parlance (like chutzpah, schlep, and schmooze) as well as a choice collection of less integrated but equally rich vocabulary such as schmatte (a rag, i.e. what a schmatte you're wearing), chozzerai (literally "pig food," now denoting crap or junk food), and hundreds more. First published in 1968, Rosten's aptly named compendium still sings with humorous erudition.

Anyone can savor the flavor of convenience with Mini-Mart la Carte, a hilarious guide to simple and scrumptious cooking using just those ingredients found on the shelves of the corner store. Victoria Traig, co-author of Judaikitsch, and her intrepid, taste-testing boyfriend, have scoured their local stop-and-shop, crafting culinary delights from the treasures found there. Canned meat to squeezable cheese, relish packets to frozen slushees, the ingredients in these tantalizing recipes amount to much, much more than just the sum of their parts. With tasty recipes for delectable appetizers like Sardines Rockefeller and Notzoh Ball Soup, hearty entrees like SPAM Wellington and Fish Sticks Amandine, and sweet finishes like Banana Nicole Smith and Twinkie Surprise, guests will be lowering their brow, but not their wow. So, forget the Zone, cancel the trip to South Beach, and chow down on some real food, mini-mart style.

When asked why 90 percent of science fiction was crap, Theodore Sturgeon replied that 90 percent of everything was crap. With zines that figure probably rises to about 99.9 percent. Luckily, we have editor Chip Rowe to sift through the detritus of the zine world and distill this entertaining volume. Included are selections from such well-known zines as Beer Frame (wherein the author discovers the horrors of canned pork brains in milk gravy), Murder Can Be Fun (about the truly bizarre Boston Molasses Flood), and Rollerderby (on the brutality and sexuality of Little House on the Prairie). With over 80 selections there's something here for every maladjusted ex-teenager, from cutely benign tales of Brady Bunch fandom to recipes for making your own edible underwear.

Many knitters have found socks to be the perfect portable project for today's active lives. This book features 70 winning sock patterns from Knitter's Magazine sock contest.

In Harry Potter and the Goblet of Fire, J.K. Rowling offers up equal parts danger and delight—and any number of dragons, house-elves, and death-defying challenges. Now 14, her orphan hero has only two more weeks with his Muggle relatives before returning to Hogwarts School of Witchcraft and Wizardry. Yet one night a vision harrowing enough to make his lightning-bolt-shaped scar burn has Harry on edge and contacting his godfather-in-hiding, Sirius Black. Happily, the prospect of attending the season's premier sporting event, the Quidditch World Cup, is enough to make Harry momentarily forget that Lord Voldemort and his sinister familiars—the Death Eaters—are out for murder.

Readers, we will cast a giant invisibility cloak over any more plot and reveal only that You-Know-Who is very much after Harry and that this year there will be no Quidditch matches between Gryffindor, Ravenclaw, Hufflepuff, and Slytherin. Instead, Hogwarts will vie with two other magicians' schools, the stylish Beauxbatons and the icy Durmstrang, in a Triwizard Tournament. Those chosen to compete will undergo three supreme tests. Could Harry be one of the lucky contenders?

But Quidditch buffs need not go into mourning: we get our share of this great game at the World Cup. Attempting to go incognito as Muggles, 100,000 witches and wizards converge on a "nice deserted moor." As ever, Rowling magicks up the details that make her world so vivid, and so comic. Several spectators' tents, for instance, are entirely unquotidian. One is a minipalace, complete with live peacocks; another has three floors and multiple turrets. And the sports paraphernalia on offer includes rosettes "squealing the names of the players" as well as "tiny models of Firebolts that really flew, and collectible figures of famous players, which strolled across the palm of your hand, preening themselves." Needless to say, the two teams are decidedly different, down to their mascots. Bulgaria is supported by the beautiful veela, who instantly enchant everyone—including Ireland's supporters—over to their side. Until, that is, thousands of tiny cheerleaders engage in some pyrotechnics of their own: "The leprechauns had risen into the air again, and this time, they formed a giant hand, which was making a very rude sign indeed at the veela across the field."

Long before her fourth installment appeared, Rowling warned that it would be darker, and it's true that every exhilaration is equaled by a moment that has us fearing for Harry's life, the book's emotions running as deep as its dangers. Along the way, though, she conjures up such new characters as Alastor "Mad-Eye" Moody, a Dark Wizard catcher who may or may not be getting paranoid in his old age, and Rita Skeeter, who beetles around Hogwarts in search of stories. (This Daily Prophet scoop artist has a Quick-Quotes Quill that turns even the most innocent assertion into tabloid innuendo.) And at her bedazzling close, Rowling leaves several plot strands open, awaiting book 5. This fan is ready to wager that the author herself is part veela—her pen her wand, her commitment to her world complete. (Ages 9 and older) —Kerry Fried

As his fifth year at Hogwarts School of Witchcraft and Wizardry approaches, 15-year-old Harry Potter is in full-blown adolescence, complete with regular outbursts of rage, a nearly debilitating crush, and the blooming of a powerful sense of rebellion. It's been yet another infuriating and boring summer with the despicable Dursleys, this time with minimal contact from our hero's non-Muggle friends from school. Harry is feeling especially edgy at the lack of news from the magic world, wondering when the freshly revived evil Lord Voldemort will strike. Returning to Hogwarts will be a relief... or will it?

The fifth book in J.K. Rowling's Harry Potter series follows the darkest year yet for our young wizard, who finds himself knocked down a peg or three after the events of last year. Somehow, over the summer, gossip (usually traced back to the magic world's newspaper, the Daily Prophet) has turned Harry's tragic and heroic encounter with Voldemort at the Triwizard Tournament into an excuse to ridicule and discount the teen. Even Professor Dumbledore, headmaster of the school, has come under scrutiny by the Ministry of Magic, which refuses to officially acknowledge the terrifying truth that Voldemort is back. Enter a particularly loathsome new character: the toadlike and simpering ("hem, hem") Dolores Umbridge, senior undersecretary to the Minister of Magic, who takes over the vacant position of Defense Against Dark Arts teacher—and in no time manages to become the High Inquisitor of Hogwarts, as well. Life isn't getting any easier for Harry Potter. With an overwhelming course load as the fifth years prepare for their Ordinary Wizarding Levels examinations (O.W.Ls), devastating changes in the Gryffindor Quidditch team lineup, vivid dreams about long hallways and closed doors, and increasing pain in his lightning-shaped scar, Harry's resilience is sorely tested.

Harry Potter and the Order of the Phoenix, more than any of the four previous novels in the series, is a coming-of-age story. Harry faces the thorny transition into adulthood, when adult heroes are revealed to be fallible, and matters that seemed black-and-white suddenly come out in shades of gray. Gone is the wide-eyed innocent, the whiz kid of Sorcerer's Stone. Here we have an adolescent who's sometimes sullen, often confused (especially about girls), and always self-questioning. Confronting death again, as well as a startling prophecy, Harry ends his year at Hogwarts exhausted and pensive. Readers, on the other hand, will be energized as they enter yet again the long waiting period for the next title in the marvelous, magical series. (Ages 9 and older) —Emilie Coulter

Starred Review. Potter fans, relaxthis review packs no spoilers. Instead, we're taking advantage of our public platform to praise Rowling for the excellence of her plotting. We can't think of anyone else who has sustained such an intricate, endlessly inventive plot over seven thick volumes and so constantly surprised us with twists, well-laid traps and Purloined Letter-style tricks. Hallows continues the tradition, both with sly feats of legerdemain and with several altogether new, unexpected elements. Perhaps some of the surprises in Hallows don't have quite the punch as those of earlier books, but that may be because of the thoroughness and consistency with which Rowling has created her magical universe, and because we've so raptly absorbed its rules. We're also seizing the occasion to wish out loud that her editors had done their jobs more actively. It's hard to escape the notion that the first three volumes were more carefully edited than the last four. Hallows doesn't contain the extraneous scenes found in, say, Goblet of Fire, but the momentum is uneven. Rowling is much better at comedy than at fight scenes, and no reader of the sixth book will be startled to hear that Hallows has little humor or that its characters engage in more than a few fights. Surely her editors could have helped her find other methods of building suspense besides the use of ellipses and dashes? And craft fight dialogue that sounds a bit less like it belongs in a comic book? Okay, we're quibbling. We know these minor nuisances won't dent readers' enjoyment, at least not this generation of readers; we couldn't put Hallows down ourselves. But we believe Rowling, and future readers, deserved even better. Ages 9-12. (July) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Say you've spent the first 10 years of your life sleeping under the stairs of a family who loathes you. Then, in an absurd, magical twist of fate you find yourself surrounded by wizards, a caged snowy owl, a phoenix-feather wand, and jellybeans that come in every flavor, including strawberry, curry, grass, and sardine. Not only that, but you discover that you are a wizard yourself! This is exactly what happens to young Harry Potter in J.K. Rowling's enchanting, funny debut novel, Harry Potter and the Sorcerer's Stone. In the nonmagic human world—the world of "Muggles"—Harry is a nobody, treated like dirt by the aunt and uncle who begrudgingly inherited him when his parents were killed by the evil Voldemort. But in the world of wizards, small, skinny Harry is famous as a survivor of the wizard who tried to kill him. He is left only with a lightning-bolt scar on his forehead, curiously refined sensibilities, and a host of mysterious powers to remind him that he's quite, yes, altogether different from his aunt, uncle, and spoiled, piglike cousin Dudley.

A mysterious letter, delivered by the friendly giant Hagrid, wrenches Harry from his dreary, Muggle-ridden existence: "We are pleased to inform you that you have been accepted at Hogwarts School of Witchcraft and Wizardry." Of course, Uncle Vernon yells most unpleasantly, "I AM NOT PAYING FOR SOME CRACKPOT OLD FOOL TO TEACH HIM MAGIC TRICKS!" Soon enough, however, Harry finds himself at Hogwarts with his owl Hedwig... and that's where the real adventure—humorous, haunting, and suspenseful—begins. Harry Potter and the Sorcerer's Stone, first published in England as Harry Potter and the Philosopher's Stone, continues to win major awards in England. So far it has won the National Book Award, the Smarties Prize, the Children's Book Award, and is short-listed for the Carnegie Medal, the U.K. version of the Newbery Medal. This magical, gripping, brilliant book—a future classic to be sure—will leave kids clamoring for Harry Potter and the Chamber of Secrets and Harry Potter and the Prisoner of Azkaban. (Ages 8 to 13) —Karin Snelson

Harry Potter and the Chamber of Secrets (Harry Potter #2) Hardcover by Scholastic FUN

For most children, summer vacation is something to look forward to. But not for our 13-year-old hero, who's forced to spend his summers with an aunt, uncle, and cousin who detest him. The third book in J.K. Rowling's Harry Potter series catapults into action when the young wizard "accidentally" causes the Dursleys' dreadful visitor Aunt Marge to inflate like a monstrous balloon and drift up to the ceiling. Fearing punishment from Aunt Petunia and Uncle Vernon (and from officials at Hogwarts School of Witchcraft and Wizardry who strictly forbid students to cast spells in the nonmagic world of Muggles), Harry lunges out into the darkness with his heavy trunk and his owl Hedwig.

As it turns out, Harry isn't punished at all for his errant wizardry. Instead he is mysteriously rescued from his Muggle neighborhood and whisked off in a triple-decker, violently purple bus to spend the remaining weeks of summer in a friendly inn called the Leaky Cauldron. What Harry has to face as he begins his third year at Hogwarts explains why the officials let him off easily. It seems that Sirius Black—an escaped convict from the prison of Azkaban—is on the loose. Not only that, but he's after Harry Potter. But why? And why do the Dementors, the guards hired to protect him, chill Harry's very heart when others are unaffected? Once again, Rowling has created a mystery that will have children and adults cheering, not to mention standing in line for her next book. Fortunately, there are four more in the works. (Ages 9 and older) —Karin Snelson