"An excellent reference for anyone who wants to create a Web page."

One of the charms of the Web is that just about anyone can (and does) create a Web page. "It's cinchy," they tell you. And they're right. But it always helps to have a book handy to help you with some of the not-so-cinchy parts. And it amazes me how many Web design or publishing books just don't get it. Fortunately, The Complete Idiot's Guide to Creating a Web Page isn't one of those books. Despite its long name (which I refuse to type again), the book is very good.

Paul does a fair job of covering the subject in a friendly, engaging tone. Yes, this book has life to it. It has personality. The humor isn't forced or condescending. Paul covers a lot of ground quickly and I had to remind myself that Idiot's Guides, like Dummies books, are references. So, where I thought some things were skipped over quickly, the truth is that as a reference the book works well. (True beginners who need handholding and tutorials should turn elsewhere.)

The book's scope is vast. It goes into style sheets, JavaScript, and certain advanced options that help round out the Web page experience. It also covers my hot-button issue of FTP. Without FTP, you just can't publish your Web page on the Internet, and I'm embarrassed for the many book authors who don't include such vital information in their Web publishing books. Fortunately, it's covered here, and covered well.

I suppose I could gripe that the book doesn't cover XML, an advanced topic for Web page creation, and one that I've yet to see a decent book on, anyway. That's a minor quibble, though; as far as I'm concerned, XML is just a Microsoft conspiracy to yank Web page creation out of the hands of you and me, the mere mortals of the Internet. No, for basic Web page creation and publication, you really can't beat this book. —Dan Gookin

A heavy fog mixes up the world's colors but Rainbow Brite and the Color Kids soon set them right again.

Discover Atlanta's allure with the help of longtime locals who share the most comprehensive information on what's happening in the area, from Civil War sites and museums to a variety of international shops and restaurants.

This much-loved retelling of the classic French tale Beauty and the Beast elicits the familiar magical charm, but is more believable and complex than the traditional story. In this version, Beauty is not as beautiful as her older sisters, who are both lovely and kind. Here, in fact, Beauty has no confidence in her appearance but takes pride in her own intelligence, her love of learning and books, and her talent in riding. She is the most competent of the three sisters, which proves essential when they are forced to retire to the country because of their father's financial ruin.

The plot follows that of the renowned legend: Beauty selflessly agrees to inhabit the Beast's castle to spare her father's life. Beauty's gradual acceptance of the Beast and the couple's deepening trust and affection are amplified in novel form. Robin McKinley's writing has the flavor of another century, and Beauty heightens the authenticity as a reliable and competent narrator.

This was McKinley's first book, written almost 20 years ago. Since that time she has been awarded the Newbery Medal for The Hero and the Crown and has delighted her fans with another retelling of the Beauty and the Beast fable, Rose Daughter. Still, McKinley's first novel has a special place in the hearts of her devoted readers, many of whom attest to relishing Beauty time and again. (Ages 11 to Adult)

Harry Crewe is an orphan girl who comes to live in Damar, the desert country shared by the Homelanders and the secretive, magical Hillfolk. Her life is quiet and ordinary-until the night she is kidnapped by Corlath, the Hillfolk King, who takes her deep into the desert. She does not know the Hillfolk language; she does not know why she has been chosen. But Corlath does. Harry is to be trained in the arts of war until she is a match for any of his men. Does she have the courage to accept her true fate?

"McKinley's spare and eloquent prose is sheer delight... a compelling portrait of the vibrant, wryly humorous Harry." -School Library Journal, starred review

"This is a zesty, romantic heroic...." -Booklist, starred review

Awards:

( A 1983 Newbery Honor Book
( An ALA Notable Book
( An ALA Best Book for Young Adults

Renowned fantasy writer Robin McKinley, author of the lush "Beauty and the Beast" retellings Beauty and Rose Daughter, has produced another re-mastered fairy tale, this time about the dreamy Sleeping Beauty. Much like in the original story, the infant princess, here named Rosie, is cursed by an evil fairy to die on her 21st birthday by pricking her finger on a spindle. That same day, Rosie is whisked away into hiding by a peasant fairy who raises her and conceals her royal identity. From that point on, McKinley's plot and characterization become wildly inventive. She imagines Rosie growing up into a strapping young woman who despises her golden hair, prefers leather breeches to ball gowns, and can communicate with animals. And on that fateful birthday, with no help from a prince, Rosie saves herself and her entire sleeping village from destruction, although she pays a realistic price. In a final master stroke, McKinley cleverly takes creative license when the spell-breaking kiss (made famous in "Sleeping Beauty") comes from a surprising source and is bestowed upon the character least expected.

Although the entire novel is well written, McKinley's characterization of Rosie's animal friends is exceptionally fine. Observations such as "...foxes generally wanted to talk about butterflies and grasses and weather for a long time while they sized you up," will spark reader's imaginations. It won't be hard to persuade readers of any age to become lost in this marvelous tale; the difficult part will be convincing them to come back from McKinley's country, where "the magic... was so thick and tenacious that it settled over the land like chalk dust...." Highly recommended. (Ages 12 and older) —Jennifer Hubert

Is it true that elephants are afraid of mice?
How much gold does the United States store in Fort Knox?
Why do I get a headache when I eat ice cream too fast?
How did the "seventh inning stretch" originate?

As the official webmaster for Xerox, Bill McLain was surprised by the kinds of questions he was receiving, like whether people born blind can see in their dreams and why rabbits are associated with Easter. McLain began to answer each and every question—attracting national attention from MSNBC, CNN, and People—and the result, collected in Do Fish Drink Water?, is a surprising, funny, and informative collection of facts. McLain's answers can often be as wild as the questions and prompt entertaining anecdotes about where he found them. McLain explains how magnets are made, what caused the Great Depression of 1922, and even explains why cats purr. Also included is an extensive list of websites where he conducts research, offering an informative guide to making the most of the Internet.

The Nanny Diaries is an absolutely addictive peek into the utterly weird world of child rearing in the upper reaches of Manhattan's social strata. Cowritten by two former nannies, Emma McLaughlin and Nicola Kraus, the novel follows the adventures of the aptly named Nan as she negotiates the Byzantine byways of working for Mrs. X, a Park Avenue mommy. Nan's 4-year-old charge, the hilariously named Grayer (his pals include Josephina, Christabelle, Brandford, and Darwin) is a genuinely good sort. He can't help it if his mom has scheduled him for every activity known to the Upper East Side, including ice skating, French lessons, and a Mommy and Me group largely attended by nannies. What makes the book so impossible to put down is the suspense of finding out what the unbelievably inconsiderate Mrs. X will demand of Nan next. One pictures the two authors having the last hearty laugh on their former employers. —Claire Dederer

The Museum as Muse: Artists Reflect is the stunning catalog that accompanies an exhibition at the Museum of Modern Art during the spring of 1999. The show takes an insightful look at the way different artists deal with the ideas, concepts, and criticisms of "the public museum." The collected artists span both generations and degrees of fame, from French photographer Henri Cartier-Bresson to pop artist Claes Oldenburg to contemporary artists Gillian Wearing and Mark Dion. The show, and by extension the book, illustrates the impact that the invention of the museum (just 200 years ago) has had on art making. It is fascinating to peer through the eyes of individual artists whose personal and intimate visions are both outside of the museum and inextricably linked to it by their choice of career. The artwork in the exhibition is wide-reaching and the reproductions for the book are beautiful. Hiroshi Sugimoto's black-and-white photo series of natural-history museum dioramas; a taxidermied polar bear and a seal on a bed of fake ice; and a re-creation of underwater sea life are all exquisite in their quiet and choreographed other-worldliness. This book should not be missed; it offers a great chance to look at art by artists who use their work to address the complexities of their own relationships with the massive institutions that are our museums. —Jennifer Cohen

296 pages, 114 full-color images, 132 black-and-white images

Parents who are fed up with the pressure to turn their children into star athletes, concert violinists, and merit scholars-all at once!-finally have an alternative: the world of Slacker Moms, where kids learn to do things for themselves and parents can cut themselves some slack; where it's perfectly all right to do less, have less, and spend less.

Slacker moms say "No" to parenting philosophies that undermine parents'-and children's-ability to think for themselves. They say "Yes" to saving their money and time by opting out of the parenting competition. And they say "Hell, Yes!" to having a life of their own, knowing it makes them better parents.

In this witty and insightful book, author Muffy Mead-Ferro reflects on her experience of growing up on a ranch in Wyoming, where parenting-by necessity-was more hands-off, people "made do" with what they had, and common sense and generational wisdom prevailed. We should all take her sane lead!

An affectionate celebration of the Hundred Acre Wood and its residents devotes a section to each character that is headed by such chapter titles as, ""Bear: Winnie-the-Pooh,"" and ""Thinking Animals: WOL and Rabbit.""

The Knit Stitch Book 1 is a learn-to-knit book thats not just for beginners. There are 25 go-for-it projects the skills you need the details that matter wardrobe-building styles and sizes. Also friendly advice constant coaching guidance through successful choice and rescue techniques for common mistakes.

Book 2: The Purl Stitch is a basic-and-beyond book for knitters at all levels. There are 25 go-for-it projects to help deveolp more skills that you will need. More details that matter as well as wardrobe- building styles. The helpful friendly advice and coaching from Sally Melville and meditations on what knitting brings to your life.

This imaginative board book features beautiful paintings by a renowned artist paired with playful, rhyming text. In A Picnic with Monet, Claude Monet's light-filled paintings take children on an enchanted picnic in the countryside. This board book is a fun introduction ot art and an imaginative adventure all rolled into one!