More than 700,000 copies sold. Basis for the world-acclaimed film. "A meditation on life, on the erotic, on the nature of men and women and love . . . full of telling details, truths large and small." People

Anyone who stumbled through the Web's earliest days—as either a starry-eyed entrepreneur, investor, or employee—will find plenty to recognize in J. David Kuo's insightful and entertaining dot.bomb. Wrapped in the tale of Value America, Craig Winn's wildly unsuccessful bid to hop aboard the Internet revolution in 1997 and totally remake retailing, the book paints a clear picture of the way optimism and wishful thinking became fatally intermingled in the rush to mine the gold supposedly buried deep within this glowing, new electronic medium. And Kuo, formerly the company's senior vice president of communications, knows the story intimately and shows here that he also knows how to tell it.

"The single goal was to build scale, build the brand, and become the Internet behemoth... overnight," he writes in describing how Winn, a traditional businessman with traditional ideas about building a traditional company, was sucked into the day's unbridled cyber-fervor as he tried to assemble his vision of a one-stop electronic shop that took advantage of all the Net's imagined bells and whistles. "[But] Winn had more competitors than he imagined," Kuo continues. "In Silicon Valleys, alleys, and corridors, retailers, technologists, and bankers were creating dot.com companies that would sell pet food, lingerie, books, electronics, discount items, luxury items, home-improvement items, furniture, and everything else imaginable. All those companies were already operating on new Internet math. Winn had to catch up."

In the pages that follow, Kuo vividly chronicles the heady years that came just after Michael Wolff's pioneering Burn Rate era, and he does so with just as juicy an insider's perspective (although without the rancor and animosity that such an experience often engenders). There also are plenty of practical lessons here. One strongly suspects, however, that much like those brought back from gold rushes to Sutter's Mill, these also will go largely unheeded when the fever spreads again. —Howard Rothman

Everyone in town thinks Meg Murry is volatile and dull-witted, and that her younger brother, Charles Wallace, is dumb. People are also saying that their physicist father has run off and left their brilliant scientist mother. Spurred on by these rumors and an unearthly stranger, the tesseract-touting Mrs Whatsit, Meg and Charles Wallace and their new friend Calvin O'Keefe embark on a perilous quest through space to find their father. In doing so, they must travel behind the shadow of an evil power that is darkening the cosmos, one planet at a time. This is no superhero tale, nor is it science fiction, although it shares elements of both. The travelers must rely on their individual and collective strengths, delving deep within themselves to find answers.

A well-loved classic and 1963 Newbery Medal winner, Madeleine L'Engle's A Wrinkle in Time is sophisticated in concept yet warm in tone, with mystery and love coursing through its pages. Meg's shattering, yet ultimately freeing, discovery that her father is not omnipotent provides a satisfying coming-of-age element. Readers will feel a sense of power as they travel with these three children, challenging concepts of time, space, and the triumph of good over evil. The companion books in the Time quartet, continuing the adventures of the Murry family, are A Wind in the Door; A Swiftly Tilting Planet, which won the American Book Award; and Many Waters. Every young reader should experience L'Engle's captivating, occasionally life-changing contributions to children's literature. (Ages 9 and older) —Emilie Coulter

When Private I. Guana takes "the case of the missing chameleon, " the fun begins. Filled with humorous wordplay and visual puns, this engaging adventure, inspired by the detective films of the 1940s, will tickle any reader's funny bone. Full color.

Pigasso, a talented pig, and Mootisse, an artistic bull, live across the road from one another, but when conflicts arise they build fences that ultimately become modern art masterpieces. Includes biographies of the real-life artists, Henri Matisse and Pablo Picasso.

Twenty-one-year-old Christina Lamb left suburban England for Peshawar on the frontier of the Afghan war. Captivated, she spent two years tracking the final stages of the mujaheddin victory over the Soviets, as Afghan friends smuggled her in and out of their country in a variety of guises.

Returning to Afghanistan after the attacks on the World Trade Center to report for Britain's Sunday Telegraph, Lamb discovered the people no one else had written about: the abandoned victims of almost a quarter century of war. Among them, the brave women writers of Herat who risked their lives to carry on a literary tradition under the guise of sewing circles; the princess whose palace was surrounded by tanks on the eve of her wedding; the artist who painted out all the people in his works to prevent them from being destroyed by the Taliban; and Khalil Ahmed Hassani, a former Taliban torturer who admitted to breaking the spines of men and then making them stand on their heads.

Christina Lamb's evocative reporting brings to life these stories. Her unique perspective on Afghanistan and deep passion for the people she writes about make this the definitive account of the tragic plight of a proud nation.

Some Instructions on Writing and Life

The most honest, wildly enjoyable book written about motherhood is surely Anne Lamott's account of her son Sam's first year. A gifted writer and teacher, Lamott (Crooked Little Heart) is a single mother and ex-alcoholic with a pleasingly warped social circle and a remarkably tolerant religion to lean on. She responds to the changes, exhaustion, and love Sam brings with aplomb or outright insanity. The book rocks from hilarious to unbearably poignant when Sam's burgeoning life is played out against a very close friend's illness. No saccharine paean to becoming a parent, this touches on the rage and befuddlement that dog sweeter emotions during this sea change in one's life.

For most writers, the greatest challenge of spiritual writing is to keep it grounded in concrete language. The temptation is to wander off into the clouds of ethereal epiphanies, only to lose readers with woo-woo thinking and sacred-laced clichés. Thankfully, Anne Lamott (Operating Instructions, Crooked Little Heart) knows better. In this collection of essays, Lamott offers her trademark wit and irreverence in describing her reluctant journey into faith. Every epiphany is framed in plainspoken (and, yes, occasionally crassly spoken) real-life, honest-to-God experiences. For example, after having an abortion, Lamott felt the presence of Christ sitting in her bedroom:This experience spooked me badly, but I thought it was just an apparition born of fear and self-loathing and booze and loss of blood. But then everywhere I went I had the feeling that a little cat was following me, wanting me to reach down and pick it up, wanting me to open the door and let it in. But I knew what would happen: you let a cat in one time, give it a little milk and then it stays forever. Whether she's writing about airplane turbulence, bulimia, her "feta cheese thighs," or consulting God over how to parent her son, Lamott keeps her spirituality firmly planted in solid scenes and believable metaphors. As a result, this is a richly satisfying armchair-travel experience, highlighting the tender mercies of Lamott's life that nudged her into Christian faith. —Gail Hudson

Jen Lancaster was living the sweet life-until real life kicked her to the curb.

She had the perfect man, the perfect job-hell, she had the perfect life-and there was no reason to think it wouldn't last. Or maybe there was, but Jen Lancaster was too busy being manicured, pedicured, highlighted, and generally adored to notice.

This is the smart-mouthed, soul-searching story of a woman trying to figure out what happens next when she's gone from six figures to unemployment checks and she stops to reconsider some of the less-than-rosy attitudes and values she thought she'd never have to answer for when times were good.

Filled with caustic wit and unusual insight, it's a rollicking read as speedy and unpredictable as the trajectory of a burst balloon.

A gorgeous, dark, and sensuous book that is part cookbook, part novel, part eccentric philosophical treatise, reminiscent of perhaps the greatest of all books on food, Jean-Anthelme Brillat Savarin's The Physiology of Taste. Join Tarquin Winot as he embarks on a journey of the senses, regaling us with his wickedly funny, poisonously opinionated meditations on everything from the erotics of dislike to the psychology of a menu, from the perverse history of the peach to the brutalization of the palate, from cheese as "the corpse of milk" to the binding action of blood.

Five mysterious cards ...

When Eddy Hall receives five cards for his stereoscope, he and his sister, Eleanor, can't wait to see what exotic places they reveal-maybe Stonehenge, or a centuries-old European cathedral. But instead, when they look through the stereoscope, Eddy and Eleanor see some very strange things. An odd-looking rope hangs from the sky down into every picture. A marmalade-colored cat that looks suspiciously like Herm, the family cat, also appears. And one picture looks like the front hall of their very own house! The images seem to be almost real, not just three-dimensional illusions. All it will take is one little tug on that rope to find out for sure....

A very unusual house...

Eddy and Eleanor Hall have always known that their family was a bit out of the ordinary. After all, they live in one of the most remarkable houses in all of Concord. But they never guessed just how extraordinary their house really is, or what tremendous secrets about their family's past it holds. That is, until they discover the magical attic room with its beautiful stained-glass window, abandoned toys, and two perfectly made-up, empty beds that seem to be waitingperhaps for two children just like themselves....

Keep Out!

When Prince Krishna is called away, he leaves behind some strict instructions for the Hall children about one of the openings in the mysterious summerhouse: Keep Out! As Eddy and Eleanor swing through each of the other openings, they refuse to break the rule, even as their temptation grows. But when Oliver and little Georgie disappear through the forbidden archway, Eleanor and Eddy know that they must either break their promise or risk never seeing their friends again.