A revised edition of an introduction to regional food celebrations includes sixty festival descriptions, vacation ideas, and recipes for such items as South Carolina grits, Florida swamp cabbage, and Illinois burgoo. Original.

Delicious and satisfying, pasta holds a special place in everyone's heart. Fortunately, it is also healthful, inexpensive, and simple to prepare. This collection of meatless dishes will expand the reader's sense of pasta's many possibilities and flavors. Includes nutritional breakdowns. Illustrated.

To her small Eskimo village, she is known as Miyax; to her friend in San Francisco, she is Julie. When the village is no longer safe for her, Miyax runs away. But she soon finds herself lost in the Alaskan wilderness, without food, without even a compass to guide her.\n\nSlowly she is accepted by a pack of Arctic wolves, Mid she grows to love them as though they were family. With their help, and drawing on her father's teachings, Miyax struggles day by clay to survive. But the time comes when she must leave the wilderness and choose between the old ways an(] the new. Which will she choose? For she is Miyax of the Eskimos—but Julie of the Wolves.\n\nFaced with the prospect of a disagreeable arranged marriage or a journey acoss the barren Alaskan tundra, 13-year-old Miyax chooses the tundra. She finds herself caught between the traditional Eskimo ways and the modern ways of the whites. Miyax, or Julie as her pen pal Amy calls her, sets out alone to visit Amy in San Francisco, a world far away from Eskimo culture and the frozen land of Alaska.\n\nDuring her long and arduous journey, Miyax comes to appreciate the value of her Eskimo heritage, learns about herself, and wins the friednship of a pack of wolves. After learning the language of the wolves and slowly earning their trust, Julie becomes a member of the pack.\n\nSince its first publication, Julie of The Wolves,winner of the 1973 Newbery Medal, has found its way into the hearts of millions of readers.

Miyax, like many adolescents, is torn. But unlike most, her choices may determine whether she lives or dies. At 13, an orphan, and unhappily married, Miyax runs away from her husband's parents' home, hoping to reach San Francisco and her pen pal. But she becomes lost in the vast Alaskan tundra, with no food, no shelter, and no idea which is the way to safety. Now, more than ever, she must look hard at who she really is. Is she Miyax, Eskimo girl of the old ways? Or is she Julie (her "gussak"-white people-name), the modernized teenager who must mock the traditional customs? And when a pack of wolves begins to accept her into their community, Miyax must learn to think like a wolf as well. If she trusts her Eskimo instincts, will she stand a chance of surviving? John Schoenherr's line drawings suggest rather than tell about the compelling experiences of a girl searching for answers in a bleak landscape that at first glance would seem to hold nothing. Fans of Jean Craighead George's stunning, Newberry Medal-winning coming-of-age story won't want to miss Julie (1994) and Julie's Wolf Pack (1998). (Ages 10 and older) —Emilie Coulter

She found the diary and brought the world a message of love and hope.

It seems as if we are never far from Miep's thoughts....Yours, Anne

For the millions moved by Anne Frank: The Diary of a Young Girl, here at last is Miep's own astonishing story. For more than two years, Miep Gies and her husband helped hide the Franks from the Nazis. Like thousands of unsung heroes of the Holocaust, they risked their lives each day to bring food, news, and emotional support to the victims.

From her own remarkable childhood as a World War I refugee to the moment she places a small, red-orange, checkered diary — Anne's legacy — in Otto Frank's hands, Miep Gies remembers her days with simple honesty and shattering clarity. Each page rings with courage and heartbreaking beauty.

Finding the perfect house is never easy. Rebuilding one from a crumbling pile—to say nothing of making it into a home—is even harder.

With their infant son in tow, David Giffels and his wife comb the environs of Akron, Ohio, in search of just the right house for their burgeoning family. Running through David's head the whole time are the lyrics of a Replacements song, ". . . Look me in the eye, then tell me that I'm satisfied," and it gives all the more purpose to their quest. But nothing seems right . . . until they spot a beautiful, decaying Gilded Age mansion. A former rubber industry executive's domain, the once grand residence lacks functional plumbing and electricity, leaks rain like a cartoon shack, and is infested with all manner of wildlife. But for a young man at a coming-of-age crossroads—"suspended between a perpetual youth and an inevitable adulthood"—the challenge is exactly the allure.

All the Way Home follows Giffels's funny, poignant, and confounding journey as he and his wife and a colorful collection of helpers turn a money pit into a house that will complete their family. Nothing could prepare them for a home restoration epic that includes evicting squatters (both four- and two-legged), battling an invading wisteria vine, hunting a ghost, and discovering thousands of dollars in hidden Depression-era cash. But the story's heart lies deeper, in an unexpected series of personal hardships that call into question what "home" really means, and what it means to grow up.

Written with the humor and insight of Bill Bryson and John Grogan, All the Way Home is the engaging tale of a young father's struggle to restore a house and find his way . . . without losing himself.

NPR commentator Hollis Gillespie's outrageously funny — and equally heartbreaking — collection of autobiographical tales chronicles her journey through self-reckoning and the worst neighborhoods of Atlanta in search of a home she can call her own. The daughter of a missile scientist and an alcoholic traveling trailer salesman, Gillespie was nine before she realized not everybody's mother made bombs, and thirty before she realized it was possible to live in one place longer than a six-month lease allows. Supporting her are the social outcasts she calls her best friends: Daniel, a talented and eccentric artist; Grant, who makes his living peddling folk art by a denounced nun who paints plywood signs with twisted evangelical sayings; and Lary, who often, out of compassion, offers to shoot her like a lame horse.

Hollis's friends help her battle the mess of obstacles that stand in her way — including her warped childhood, in which her parents moved her and her siblings around the country like carnival barkers, chasing missile-building contracts and other whimsies, such as her father's dream to patent and sell door-to-door the world's most wondrous key-chain. A past like this will make you doubt you'll ever have a future, much less roots. Miraculously, though, Gillespie manages to plant exactly that: roots, as wrested and dubious as they are.

As Gillespie says, "Life is too damn short to remain trapped in your own Alcatraz." Follow her on this wickedly funny journey as she manages to escape again and again.

From the author of Kiss My Tiara comes a funny and poignant collection of true stories about women coming of age that for once isn't about finding a date.

Irreverent, provocative, hip - and always funny - this guide to power and attitude offers women an intelligent alternative to the negative messages we hear every day from magazines, television and relatives. A Cynthia Heimel for a new generation, Susan Jane Gilman serves up uncommon wisdom and practical advice on everything from sex to politics, from turning shopping skills into a power tool to using man-catching techniques for salary negotiations. Be a Smart Mouth goddess when it comes to...* Beauty: Sure, beauty has the power to excite men. But so does a box of donuts. * Men: After eons of "civilisation" guys still have trouble understanding the word "no." Luckily, there's one word that's guy Kryptonite: "commitment." * Money: Feminists have condemned capitalism as patriachal and exploitative. They obviously never tried to buy tampons in Communist China in 1986. * Politics: Hey, somebody's gotta rule the world. It might as well be us.

A pivotal work in Nikki Giovanni's career, Cotton Candy on a Rainy Day is one of the most poignant and intorspective of all Giovanni's collections.Moving from the emotionally fraught political arena to the intimate realm of the personal, the poems in this volume express a conflicted consciousness and the disillusionment shared by so many during the early 1970s, when the dreams of the Civil Rights era seemed to have evaporated. First published in 1978, this classic will remind her readers why they were first drawn to Nikki Giovanni and enthrall new readers who are just now coming to these timeless poems.

As a witness to three generations, Nikki Giovanni has perceptively and poetically recorded her observations of both the outside world and the gentle yet enigmatic territory of the self. When her poems first emerged from the Black Rights Movement in the late 1960s, she immediately became a celebrated and controversial poet of the era. Written in one of the most commanding voices to grace America'ss political and poetic landscape at the end of the twentieth century, Nikki Giovanni's poems embody the fearless passion and spirited wit for which she is beloved and revered. A pivotal work in Nikki Giovanni's career, Cotton Candy on a Rainy Day is one of the most poignant and introspective of all Giovanni's collections. Moving from the emotionally fraught political arena to the intimate realm of the personal, the poems in this volume express a conflicted consciousness and the disillusionment shared by so many during the early 1970s, when the dreams of the Civil Rights era seemed to have evaporated. First published in l978, this classic will remind her readers why they were first drawn to Nikki Giovanni and enthrall new readers who are just now coming to these timeless poems.

As a witness to three generations, Nikki Giovanni has perceptively and poetically recorded her observations of both the outside world and the gentle yet enigmatic territory of the self. When her poems first emerged from the Black Rights Movement in the late 1960s, she immediately became a celebrated and controversial poet of the era. Written in one of themost commanding voices to grace America's political and poetic landscape at the end of the twentieth century, Nikki Giovanni's poems embody the fearless passion and spirited wit for which she is beloved and revered.

"Nikki Giovanni is one of our national treasures. For decades she has offered her wit and wisdom, her bruising honesty, and, above all, her unbounded love through these poems as a healing for herself, her community, and her country." —Gloria Naylor

Remember the Bionic Woman, Dippity Doo, Pop Rocks, Planet of the Apes, Peter Frampton, and white lipstick? Do You Remember? takes readers back to a simpler, tackier time, when TV shows were unabashedly corny and shags (carpets and hairdos) were all the rage. Over 130 images of long-lost pop-culture items and unforgottable icons from the '50s, '60s, '70s, and even the early '80s fill the pages of this wacky collection. Full color.

Blink is about the first two seconds of looking—the decisive glance that knows in an instant. Gladwell, the best-selling author of The Tipping Point, campaigns for snap judgments and mind reading with a gift for translating research into splendid storytelling. Building his case with scenes from a marriage, heart attack triage, speed dating, choking on the golf course, selling cars, and military maneuvers, he persuades readers to think small and focus on the meaning of "thin slices" of behavior. The key is to rely on our "adaptive unconscious"—a 24/7 mental valet—that provides us with instant and sophisticated information to warn of danger, read a stranger, or react to a new idea.

Gladwell includes caveats about leaping to conclusions: marketers can manipulate our first impressions, high arousal moments make us "mind blind," focusing on the wrong cue leaves us vulnerable to "the Warren Harding Effect" (i.e., voting for a handsome but hapless president). In a provocative chapter that exposes the "dark side of blink," he illuminates the failure of rapid cognition in the tragic stakeout and murder of Amadou Diallo in the Bronx. He underlines studies about autism, facial reading and cardio uptick to urge training that enhances high-stakes decision-making. In this brilliant, cage-rattling book, one can only wish for a thicker slice of Gladwell's ideas about what Blink Camp might look like. —Barbara Mackoff

"The best way to understand the dramatic transformation of unknown books into bestsellers, or the rise of teenage smoking, or the phenomena of word of mouth or any number of the other mysterious changes that mark everyday life," writes Malcolm Gladwell, "is to think of them as epidemics. Ideas and products and messages and behaviors spread just like viruses do." Although anyone familiar with the theory of memetics will recognize this concept, Gladwell's The Tipping Point has quite a few interesting twists on the subject.

For example, Paul Revere was able to galvanize the forces of resistance so effectively in part because he was what Gladwell calls a "Connector": he knew just about everybody, particularly the revolutionary leaders in each of the towns that he rode through. But Revere "wasn't just the man with the biggest Rolodex in colonial Boston," he was also a "Maven" who gathered extensive information about the British. He knew what was going on and he knew exactly whom to tell. The phenomenon continues to this day—think of how often you've received information in an e-mail message that had been forwarded at least half a dozen times before reaching you.

Gladwell develops these and other concepts (such as the "stickiness" of ideas or the effect of population size on information dispersal) through simple, clear explanations and entertainingly illustrative anecdotes, such as comparing the pedagogical methods of Sesame Street and Blue's Clues, or explaining why it would be even easier to play Six Degrees of Kevin Bacon with the actor Rod Steiger. Although some readers may find the transitional passages between chapters hold their hands a little too tightly, and Gladwell's closing invocation of the possibilities of social engineering sketchy, even chilling, The Tipping Point is one of the most effective books on science for a general audience in ages. It seems inevitable that "tipping point," like "future shock" or "chaos theory," will soon become one of those ideas that everybody knows—or at least knows by name. —Ron Hogan