The first book in a beautifully produced series of five, The Field Guide sets up the story of the Grace children—13-year-old Mallory and 9-year-old twins Jared and Simon—who with their mother move into the dilapidated Spiderwick Estate only to quickly find themselves sucked into a dark and fascinating world of faeries.

Superficially, the Spiderwick Chronicles smack of Lemony Snicket, with its "true story" setup and breathless warnings ("Go away/close the book/put it down/do not look"). But Tony DiTerlizzi and Holly Black owe no one for the intensely absorbing world they've created. Black certainly showed fey promise in her slightly freaky debut and DiTerlizzi has weird cred to spare, from his zany Jimmy Zangwow to countless credits for the Magic: The Gathering card game.

By combining their ample skill with thoughtful art direction and demanding production values, the duo has succeeded in creating a series with irresistible appeal. Each book promises a quick read, snappy plot progression, and dozens of DiTerlizzi's imaginative pen-and-ink drawings. So if you're drawn to The Field Guide at all, you might as well save yourself the trouble and make sure you have the second book (The Seeing Stone handy. (Ages 6 to 10) —Paul Hughes

Holly Black and Tony DiTerlizzi pull off an impressive five for five with Wrath of Mulgarath, the satisfyingly dramatic conclusion to their series, The Spiderwick Chronicles. After the gory conclusion of the The Ironwood Tree, we don't get even a moment's reprieve before the action picks up again, in a starting chapter entitled, fittingly, "IN WHICH the World Is Turned Upside Down." Thirteen-year-old Mallory and nine-year-old twins Jared and Simon return to the Spiderwick Estate only to find their home in shambles, with trash and broken furniture scattered across the lawn and Simon's griffin chasing a "goblin" across the roof. The faerie world that the Grace kids have so slowly probed in this series has finally come home to roost. Black and DiTerlizzi pack a lot into the finale of this beautifully produced series, with dragons and goblins and elves—and even a magical cameo by Arthur Spiderwick (the long-lost author of the disappearing-reappearing Field Guide to the Fantastical World Around You). We get a dramatic rescue, a clever end to a fearsome foe (with some thanks to Hogsqueal from book two), and a long denouement that leads to a final cryptic note from the author and illustrator: "Are there more ogres / and dragons to slay? / Is there more mayhem, / perhaps, on the way? / Ask Tony and Holly. / They'll swear that it's true. / But you still won't believe / what's coming for you!" (Ages 6 to 10) —Paul Hughes

In this delightful book, best-selling author Debbie Bliss presents 30 classic knitwear designs for children from birth to six years.

Block is an award-winning, cutting-edge young adult author who has already attracted a large adult audience. Her first adult novel, Ecstasia is a jolting contemporary fantasy about sexuality, love and death that follows the lives of a band of young musicians living in a city of carnivals and circuses, where the only crime is growing old. Advertising in Locus magazine.

Movie stars, rock stars, pond nymphs, intergalactic superheroes . . . who are the real goddesses in Francesca Lia Block's world? Real young women—the kind who ache, bleed, dance, and talk to blue ghosts in closets. Famous for her lyric Weetzie Bat books, Block blossoms in this collection of short stories about love: straight, gay, familial, and otherworldly. Very few young adult authors talk as frankly as Block about sex and some of the other yearnings we feel in this world, yet she guides her readers toward the self-respect and courage necessary to make smart choices about those yearnings.

I feel as if I have been called on to guard the moon herself. A moon with dimples and a tiny crooked grin. How do you do this? How do you safely carry the moon around on this earth?

Acclaimed author Francesca Lia Block's meditation on the anxieties and elations of her first year as a mother are lovingly told in this treasure of a book. Block writes with raw and tender emotion about the joys and fears in her new life with her Silky-Milky, Girly-Swirl Moon Baby. As she watches her daughter grow and adjust to the world, the author reflects on how her own body and belief system have changed forever through the miracle of birth and parenting. With beautifully woven lyrical writing, Block reveals with immense grace and passion all the gifts her child has given her.

This is a love story — from mother to daughter — that reminds us that the deepest kind of love makes us vulnerable, joyous, triumphant, and new.

Where are the kisses?

Weetzie Bat wondered. When her relationship with Secret Agent Lover Man turns cold, the forty-year-old post-punk pixie packs up, jumps into her mint-green '65 Thunderbird, and leaves to take refuge in L.A.'s enchanted Pink Hotel&#8212with its blue-skinned receptionist, invisible cleaning lady, seductive faun, and sushi-eating mermaid who gives Weetzie the first kiss that sets the wheel of self-discovery spinning madly in motion. Though she faces some very adult problems, anything is still possible in Weetzie's world&#8212angels, magic . . . even true love.

From the very moment she was born, Primavera’s songs made water flow and flowers blossom. She brought new life to the desert where her family lives. But even in Paradise there are dreams that cannot be fulfilled. Primavera is in love with a man who can never be hers—so when a handsome stranger offers her the gift of a horse-headed motorcycle, Primavera leaves home in search of the magical city of Elysia, the city once ruled by her parents’ band, Ecstasia. But in Elysia, Primavera discovers that she has left behind everything she truly needs, everyone she truly cares about—and, if the city has its way, she will never find her way back home.

But this is what
I could not give up:
I could not give up myself

Psyche has known Love&#8212scented with jasmine and tasting of fresh oranges. Yet he is fleeting and fragile, lost to her too quickly. Punished by self-doubt, Psyche yearns to be transformed, like the beautiful and brutal figures in the myths her lover once spoke of. Attempting to uncover beauty in the darkness, she is challenged, tested, and changed by the gods and demons who tempt her. Her faith must be found again, for if she is to love, she must never look back.

Francesca Lia Block, whose Weetzie Bat novels have often been called pop fairy tales, here turns to the real thing for some very different imaginings of Snow White, Thumbelina, Cinderella, Rose Red and Rose White, and other tales. Block's stories are more resonance than retelling, fevered dreams behind which the outlines of the traditional tales move fitfully like figures glimpsed now and then through a summer fog. Veiled references to Block's own Los Angeles appear in the twisty house of the seven dwarfs built into a canyon like Laurel or Topanga, the redwood forest on a seaside cliff through which Beauty travels to her Beast, the tree-darkened canyon houses with French doors that open onto exuberant neglected gardens lush with irises and roses. In these evocations Bluebeard becomes an aging blue-haired producer, Sleeping Beauty pricks her arm with a heroin needle, Red Riding Hood's wolf is a lecherous stepfather, and the Snow Queen is a sex goddess who lives in a marble mansion with her boy toy, possibly in Beverly Hills. Sensuous images enrich these languid and darkly ironic visions: jasmine-scented night gardens, leopard couches with velvet pillows, luscious food flavored with mint, coconut milk, or pomegranate sauce, cool candlelit baths. As always, Block's poetic allegories of adolescence are strikingly original and a bit dangerous, a feast for connoisseurs of YA fiction and savvy older teens. (Ages 14 and older) —Patty Campbell

From the beloved author of Necklace of Kisses comes a modern-day fairy tale of a willful and intuitive heroine and a world of shocking realism and transcendent magic.

Francesca Lia Block, this time with co-writer Carmen Staton, introduces readers to Ruby, a Midwestern girl named for the jewel that is believed to ward off evil spirits. Ruby's special gift is a sixth sense that makes her at one with nature and gives her the ability to know her own destiny.

After growing up in an abusive family, Ruby escapes to Los Angeles and learns of her soulmate — Orion — a British actor. She travels to England, where she works at a potions and herbs shop, and through a series of coincidental circumstances, ends up nursing Orion back to health without confessing that she has been on a quest to find him all along. But just when she thinks her dream is becoming a reality, Ruby is stopped in her tracks by the violent demons of her past. Only by facing the darkness together can she and Orion finally fulfill their destiny.

As with Necklace of Kisses, Block, here with Staton, breaks the mold. In Ruby, readers will find a story about the power of our minds to overcome the past and ultimately change the course of our lives.

Francesca Lia Block has gained a tremendous following writing stories about the young denizens of Los Angeles that are simultaneously ethereal and utterly tangible. Titles such as The Hanged Man, Dangerous Angels, Girl Goddess #9, and I Was a Teenage Fairy explore the heaviest issues facing teens—including all variety of sex, drugs, and rock 'n' roll—with the light touch of skillful poet. In Violet and Claire, Block once again exposes us to both the best and the worst of the City of Angels, as we trace the rise and fall of a female friendship from thrilling expectations to soul-squelching excess.

Set against the glittering background of Hollywood, Block's work has long been marked by an intensely visual style, so it is perhaps appropriate that this story opens like a screenplay: "FADE IN: The helicopter circles, whirring in a sky the color of laundered-to-the-perfect-fade-jeans. Clouds like the wigs of starlets—fluffy platinum spun floss." The script theme continues with chapter subheadings such as "EXT: HIGH SCHOOL QUAD—DAY—DAY" and "INT: LIMO—NIGHT—NIGHT" while teenage wannabe filmmaker Violet and gossamer-winged poet Claire take turns telling their story. Everywhere Violet is dark, Claire resonates light. And as they make the arduous journey toward adulthood by way of the silver screen dream, it is this essential oppositeness that both draws the two together and drives them apart. Luckily, there's a Hollywood ending for the yin-yang duo, "the photo negative of each other, together making the perfect image of a girl." (Ages 12 and older) —Brangien Davis

A modern fairy tale that is funny, moving, and unlike any book you've ever read before.